Throughout the six-season run of “The Handmaid’s Tale,” dread hung over the series like a perpetual rain cloud. It made sense because the U.S. had turned into a totalitarian society called Gilead where women were stripped of their rights. In “The Testaments,” debuting Wednesday on Hulu, Gilead is still Gilead — but there are glimmers of hope as a through-line.

Like its predecessor, “The Testaments” is based on a novel by Margaret Atwood of the same name. It takes place five years after the events of “The Handmaid’s Tale,” and follows privileged girls in Gilead who are on the cusp of adulthood. Viewers are reintroduced to Aunt Lydia (Ann Dowd) from the original, who now runs a school training girls to be proper young ladies who are ready for marriage and most importantly, babies. There is a class where the girls are tested in how they pour tea.

Lydia has become a bit softer since we last saw her. “At the end of ‘The Handmaid’s Tale,’ she’s in a deep state of remorse and begging for forgiveness when her life, as she knew it, collapses,” said Dowd of her character. “She’s come into this world a gentler human being. She’s still Lydia, but I think she’s had time to let go of the wall that was built around her.”

New story, new heroes

We meet Agnes, played by Chase Infiniti (“One Battle After Another”) and her friends Shunammite and Becka played by Rowan Blanchard and Mattea Conforti. Lucy Halliday portrays Daisy, a new student who is instructed to shadow Agnes at school.

“I see them as two cats who’ve been put in a room together and are sniffing each other out,” said Halliday. “I think they are aware that there is an inherent similarity overlapping with them both, but they will refuse to admit it because they don’t want to be like the other person.”

Because Agnes and Becka have each started to menstruate, it’s immediately declared mating season and the girls must marry. This is when cracks begin to show in the Gilead status quo as Becka is uninterested in finding a husband. Agnes is swept up in the romantic idea of it all — until she’s introduced to potential mates who are generally older with powerful positions in Gilead’s government. She realizes marriage would be a power move for her family and that love isn’t required.

Bruce Miller created both “The Handmaid’s Tale” and “The Testaments” and says each tells stories about the oppression of women.

“In ‘Handmaid’s,’ they take a child away from its mother and then say to the mother, ‘You’re going to be docile,’” said Miller. By contrast, he said, “The Testaments” “takes a bunch of teenage girls and tells them what they are going to be and also remove their adolescence from their lives.”